Vampire Diaries Дневники вампира

среда, 5 декабря 2012 г.

'Twilight Saga': 'Twist'-ed sisters


bd2-battle-02

Twilight Saga scribe Melissa Rosenberg should consider dabbling in espionage. For years, she's kept a giant secret: how she and Twilight author Stephenie Meyer decided that the series' final film adaptation would conclude with a thrilling, violent battle scene that — spoiler alert! – ends up being nothing but a vision of a possible future. "It hasn't been a hard secret to keep, though, because no one suspects it's going to be any different," Rosenberg says, pointing out that the scene doesn't really diverge from Breaking Dawn, the novel: "Fans get the book, but they get a little detour on the way." Of course, there's a little more to it than that. Here's the tale of Breaking Dawn — Part 2's shocking battle scene, from conception to screen.

For more stories behind this year's top moments, click here for TV and here for movies.

As told by: Melissa Rosenberg

We were filming Eclipse up in Vancouver, and Stephenie and I were having dinner at a steakhouse. At the time, she was debating whether she even wanted to make the fourth book into a movie, and I was debating whether I wanted to continue on with the series. Stephenie knew the book ended with this really tense conversation, and she knew that that wasn't cinematic. We started talking about the ending, and I don't know who had the idea [to do the battle scene] first — neither one of us can remember exactly. It felt simultaneous. We just went back and forth and were like, "That's it! That's gonna work!"

I always write out battle scenes, not because I think that they're going to shoot the action sequences as I write them, but because we need to know who dies when, why they die, how they die, who kills them, what is the emotion of the moment. Ultimately it lands with the director and the stunt coordinator; I took it as far as I could on the page.

The way I approached it was, who would be the most shocking to kill? Because the first death initiates the battle, it has to be someone who everybody cares about. And because they're all there for Carlisle, it made sense that he was the one. Well, actually, the first one who is killed in reality is Irina. But the whole company doesn't actually know her — Carlisle, they'll go to battle for. And you also want, like, who's going to be the most satisfying to kill? Who have been the various nemeses? So everyone kind of gets a moment. Of course, Bella and Edward had to be the ones to kill Aro. That was the ultimate, and that they do it together felt really right. I really wanted to see Bella just rip his frickin' head off. [Laughs]

The gloves were off [in Breaking Dawn: Part 2]. The very first moment when Bella squeezes Edward, and he's like "Uh, I can't breathe" — that just starts the ball rolling. They played it very comedically. When you have Bella turn into a vampire, you get humor. And it's less about the tortures of love and more about kicking some butt. Her taking down the mountain lion, and her throwing Jacob around, kicking his ass — that was just so satisfying after four episodes.

I don't think there's anything in there that actually does deviate from the book. The thing is, the book is all told from Bella's point of view — for instance, Jacob tells Bella, "Hey, I told your dad I'm a werewolf." Stephenie can't write that scene because Bella's not there. But I get to write it! [Laughs] That is so much fun for me. My general approach throughout all the movies was to take the characters on the same emotional journey that they take in the books. Stephenie always had, contractually, a list of certain things that could or could not happen — there cannot be any fangs, no one can die in the movie that doesn't die in the book. I never actually really looked at those lists, because essentially what the lists say is, "Adapt the book. Don't use the book as a launching pad for a whole different story about how Bella is a CIA agent."

[The cast] didn't find out [about the battle scene] until I had finished the script, so it was many, many months later when they first got on set. I wasn't there, but I can guarantee you they were pretty psyched because they got to do some pretty fun stuff. And at the premiere, it was just — the screaming just went on and on. Every time someone would die, people were just screaming, "Oh my God!" And then when they realized what the truth of it was, they screamed all the more. It was so funny. My only problem at the premieres is, I love watching it with that kind of energy and the fans — but they scream so much that they step on my lines. [Laughs] And I'm like, "Shut up, that was a really funny line right there! You just missed it!"

Read more:More of EW.com's Best of 2012 (Behind the Scenes coverageBest of 2012 (Behind the Scenes: The story of the after-credits shawarma scene in 'The Avengers'Best of 2012 (Behind the Scenes: Casting the young star of 'Beasts of the Southern Wild'

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EXCLUSIVE 'Vampire Diaries' clip: Elena heads back to school, but what is Damon doing there?

elena-webclip-tvd-408.jpgLast week’s episode of «The Vampire Diaries» left us all reeling when Elena (Nina Dobrev and Damon (Ian Somerhalder finally slept together — just as Caroline (Candice Accola was voicing her suspicions that Elena’s feelings for Damon are driven by an unnatural sire bond connection. Now, Zap2it has your exclusive first look at the morning after Elena’s eventful night with this brand new web clip.

It’s one of the three days a month that Elena decides to go to school, where she’s met by a knowing Caroline and a blissfully oblivious Bonnie (Kat Graham. It appears that Elena’s already feeling quite comfortable at Chez Salvatore, because she’s already happily inviting the girls over to raid their wine cellar.

Bonnie is down for an evening of slumber party shenanigans with a magical twist, but Caroline looks pretty wary of Elena’s good mood… and her sex hair. (We’re not really buying that there are no flatirons at Stefan and Damon’s house, though. We’ve seen their coifs.

Perhaps the most important question raised by this clip is: why is Damon hanging out in the halls of Mystic Falls High? Raiding Alaric’s bottom drawer bourbon again, perhaps?

Check it out, and drop us a comment in the section below. Do you think Caroline is taking her concern too far? Is Elena too flippant about crashing at her ex’s house? Is Bonnie in over her head with Professor Shane?

«The Vampire Diaries» airs Thursday nights at 8 p.m. EST on The CW.

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понедельник, 3 декабря 2012 г.

'Twilight,' 'Skyfall' maintain blockbuster pace to remain top picks for movie fans

LOS ANGELES
– The «Twilight» finale and «Skyfall» continued to dominate the box office on a typically slow post-Thanksgiving weekend that brought big business for holdover films but a poor start for Brad Pitt’s new crime story.

Sunday studio estimates put «The Twilight Saga: Breaking Dawn — Part 2″ out front for the third-straight weekend with $17.4 million domestically.

That raised the domestic total to $254.6 million for the vampire tale released by Lionsgate banner Summit Entertainment. The movie added $48.4 million overseas for an international haul of $447.8 million and a worldwide sum of $702.4 million, approaching the franchise record of $710 million for last year’s «Breaking Dawn — Part 2.»

Sony’s James Bond adventure «Skyfall» was a fraction behind with $17 million domestically, raising revenue to $246 million after four weekends.

«Skyfall» also brought in $34 million overseas to put its international take at $623 million and the worldwide total at $869 million, the best cash haul ever for a Bond flick.

Pitt’s «Killing Them Softly,» the weekend’s top new release, tanked with just $7 million domestically, coming in at No. 7 behind a big batch of holdovers.

The «Twilight» finale and «Skyfall» were close enough that domestic rankings could flip-flop when final numbers are released Monday. Either way, the two movies have led a brisk start to the holiday season that could lift Hollywood to record domestic revenues for the year.

«I keep upping my revenue estimates for the full end-of-year box office because it’s just been a lot stronger than anticipated lately,» said Paul Dergarabedian, analyst for box-office tracker Hollywood.com.

With domestic business totaling $9.9 billion so far in 2012, receipts are running 6 percent ahead of last year’s and are on track to top the record of $10.6 billion set in 2009, according to Hollywood.com.

After record revenue over Thanksgiving, business eased off, though it still was a stronger-than-usual post-holiday weekend. Domestic revenues totaled $115 million, up 42 percent from the same weekend last year, when «Breaking Dawn — Part 1″ led with $16.5 million.

A Weinstein Co. release, «Killing Them Softly» averaged just $2,888 in 2,424 theaters, meager results compared to the «Twilight» finale’s average of $4,344 in 4,008 cinemas over its third weekend.

Adapted from George V. Higgins’ novel «Cogan’s Trade,» «Killing Them Softly» stars Pitt as a gang enforcer on the trail of two small-time crooks who held up a mob-protected card game.

The weekend’s other new wide release, LD Entertainment’s horror tale «The Collection,» also flopped at No. 10 with $3.4 million, averaging $2,430 in 1,403 theaters.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Where available, latest international numbers are also included. Final domestic figures will be released Monday.

1. «The Twilight Saga: Breaking Dawn — Part 2,» $17.4 million ($48.4 million international

2. «Skyfall,» $17 million ($34 million international.

3. «Lincoln,» $13.51 million.

4. «Rise of the Guardians,» $13.5 million ($40 million international.

5. «Life of Pi,» $12 million ($21.5 million international.

6. «Wreck-It Ralph,» $7.02 million ($1.5 million international.

7. «Killing Them Softly,» $7 million ($700,000 international.

8. «Red Dawn,» $6.6 million ($500,000 international.

9. «Flight,» $4.5 million.

10. «The Collection,» $3.4 million.

___

Estimated weekend ticket sales at international theaters (excluding the U.S. and Canada for films distributed overseas by Hollywood studios, according to Rentrak:

1. «The Twilight Saga: Breaking Dawn — Part 2,» $48.4 million.

2. «Rise of the Guardians,» $40 million.

3. «Skyfall,» $34 million.

3. «Life of Pi,» $21.5 million.

4. «26 Years,» $5.2 million.

5. «Argo,» $4.1 million.

6. «Hotel Transylvania,» $3.5 million.

7. «Wreck-It Ralph,» $1.5 million.

8. «Silver Linings Playbook,» $1.3 million.

9. «Killing Them Softly,» $700,000.

10. «Red Dawn,» $500,000.

___

Online:

http://www.hollywood.com

http://www.rentrak.com

___

Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by News Corp.; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.

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The Vampire Diaries: Why We Love Single Stefan

Throughout The Vampire Diaries‘ run, Stefan Salvatore (Paul Wesley has been on his own, in love, «the ripper» and brokenhearted. But looking back, Stefan is always at his best when he’s single. Don’t get us wrong — this isn’t about why Elena (Nina Dobrev should be with Damon (Ian Somerhalder instead of Stefan, but rather why as a character Stefan has always been the most appealing, likable and downright sexy when alone. And if Thursday’s episode wasn’t enough proof (hello, doing push-ups in the woods!, here are four reasons why we prefer him that way:

Photos: Who’s the sexiest Vampire Diaries star?

1. He’s sexy when angryAs Damon softens up, Mystic Falls is seriously lacking some angry brooding. Fortunately, Stefan has stepped up and taken over as the town’s new resident bad boy. And we aren’t complaining! Without Elena to woo, the romantic dreamer has transformed into a badass, kicking butt and taking names (and a few lives here and there. It’s not hard to admit that as Stefan’s temper heats up, so do we.

Photos: Everybody’s posing nude! Check out Rihanna and other stars who’ve bared all

2. He gets things doneElena is often more of a walking, talking distraction than an actual character. Now that she’s out of the picture, Stefan is much more focused and actually seems to be getting things done instead of catering to Elena’s every need. Plus: Without her acting like his surrogate conscience, Stefan seems to have no qualms doing whatever it takes to get the job done. If Stefan keeps this up, it won’t be long before he has that cure! (Even if it is for Elena’s sake. Just look at the way Stefan takes care of business with Klaus (Joseph Morgan in the clip below.

Check out the hottest looks from the 2012 Victoria’s Secret Fashion Show

3. He has time for his friendsCan we all agree that the more Stefan’s not with Elena, the more we can watch his and Caroline’s (Caroline Accola friendship grow? The bubbly blonde has turned out to be a surprisingly good shoulder for Stefan to lean on during his time of need. And while Elena’s shacked up with Damon, we just love Stefan and Caroline playing house together. The new roomies could have a show all on their own!

Fifty Shades of Lame! Check out TV’s unsexiest sex scenes

4. He has more fun How often do we get to see Stefan laugh? Not enough, that’s for sure. For someone who’s going to live forever, Stefan doesn’t seem to enjoy life too much. But now that he’s single, Stefan’s finally free to go out and have a little fun. In the clip below, he has a ball with his new friend Klaus, as the two share drinks over stories. Though given Klaus’ unreliable loyalties, maybe Stefan should consider upgrading his drinking buddy this time around (we’re looking at you, Caroline.

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суббота, 1 декабря 2012 г.

THE TWILIGHT SAGA: BREAKING DAWN — PART 2 PROPELS LIONSGATE PAST ONE BILLION DOLLAR MARK AT THE 2012 DOMESTIC BOX …

BREAKING DAWN – PART 2 Shatters TWILIGHT Franchise Record with Estimated $340.9 Million Worldwide Opening Weekend

SANTA MONICA, Calif., and VANCOUVER , British Columbia, Nov. 19, 2012 /CNW/ – Propelled by its blockbuster TWILIGHT SAGA and HUNGER GAMES young adult franchises, Lionsgate (LGF, a leading global entertainment company, has become the first studio outside the traditional majors to eclipse the $1 billion mark at the domestic box office in a single calendar year, the Company reported today.

(Logo: http://photos.prnewswire.com/prnh/20110919/LA70620LOGO

The Company also expects to roar across the $1 billion mark at the international box office and the $2 billion mark at the worldwide box office (domestic and international combined in the next few weeks as THE TWILIGHT SAGA: BREAKING DAWN – PART 2 continues to build on its franchise record-shattering opening weekend of $340.9 million at the worldwide box office, outpacing the best previous TWILIGHT installment by approximately 40 percent to date.

A commercially powerful Lionsgate slate including the blockbuster first film in THE HUNGER GAMES franchise, which grossed $408 million at the domestic box office and is the 13th highest-grossing domestic release of all time, and TWILIGHT SAGA BREAKING DAWN – PART 2 have combined to push Lionsgate’s domestic box office total to $1.08 billion with nearly two months remaining in the calendar year and TWILIGHT SAGA: BREAKING DAWN – PART 2 just beginning its theatrical run.

The Company will also open the critically-acclaimed drama THE IMPOSSIBLE on December 21 st. THE IMPOSSIBLE has already launched in Spain with a mammoth box office haul of nearly $50 million , ranking second all time at the Spanish box office behind AVATAR.

THE TWILIGHT SAGA: BREAKING DAWN – PART 2 achieved the best opening weekend worldwide box office performance in TWILIGHT franchise history with franchise bests in numerous major territories around the world, including –

Latin America, where the film has delivered $43 million in its first five days and is 57% ahead of the opening of BREAKING DAWN – PART 1. Lionsgate distributes in Latin America through its recently expanded joint venture partnership with IDC.

France , with $16.4 million in its opening weekend, achieving the best opening weekend of the year

Spain , where BREAKING DAWN PART 2 is the top-grossing three-day opening weekend of all time

The UK, with $23.4 million in its opening weekend, up 10% from BREAKING DAWN—PART 1 and

Russia and the other CIS nations, which set a new franchise record with an opening weekend of $20.3 million .

«Every member of our Motion Picture Group should take tremendous pride in this singular accomplishment,» said Lionsgate Chief Executive Officer Jon Feltheimer and Vice Chairman Michael Burns . «The strength of our theatrical slate, both domestically and internationally, reflects the critical mass we’ve built throughout all of our businesses. Led by the next three installments of our HUNGER GAMES franchise and new and emerging brands like ENDER’S GAME and DIVERGENT, our pipeline going forward continues to be strong.»

«We’re thrilled that THE TWILIGHT SAGA BREAKING DAWN – PART 2 is off to such a great start worldwide, and we owe a tremendous debt of thanks to Stephenie Meyer and the entire TWILIGHT team,» said Lionsgate Motion Picture Group Co-Chairmen Rob Friedman and Patrick Wachsberger. «Our results reflect not only the global appeal of our HUNGER GAMES and TWILIGHT franchises but our portfolio approach to our slate, which has already generated eight different films this year that have grossed more than $40 million at the domestic box office. Our slate going forward will continue to be driven by the same powerful mix of franchise tentpoles, strong brands and critically exciting films.»

Lionsgate is a leading global entertainment company with a strong and diversified presence in motion picture production and distribution, television programming and syndication, home entertainment, family entertainment, digital distribution, new channel platforms and international distribution and sales. The Company has built a strong television presence in production of primetime cable and broadcast network series, distribution and syndication of programming and an array of channel assets. Lionsgate currently has 25 shows on 18 networks spanning its primetime production, distribution and syndication businesses, including the multiple Emmy Award-winning Mad Men, the critically acclaimed series Weeds, Nurse Jackie and Boss, the new comedy Anger Management, which has been picked up for another 90 episodes by FX, the network series Nashville , picked up for a full season of 22 episodes by ABC, the syndication successes Tyler Perry’s House of Payne, its spinoff Meet the Browns, The Wendy Williams Show , Are We There Yet? and the upcoming Orange Is The New Black, an original series for Netflix.

Its feature film business has been fueled by such recent successes as the blockbuster first installment of The Hunger Games franchise, which grossed nearly $700 million at the worldwide box office, The Twilight Saga Breaking Dawn – Part 2, which achieved the best worldwide opening in Twilight franchise history, The Possession, Sinister, The Expendables 2, Cabin in the Woods, Tyler Perry’s Madea’s Witness Protection and Arbitrage. With the January 2012 acquisition of Summit Entertainment, the Company has now added the blockbuster Twilight Saga, which has grossed more than $2.5 billion at the worldwide box office, to its current slate, giving the Company the two premier young adult franchises in the world. Recent Summit hits include Red, Letters to Juliet, Knowing and the Academy Award-winning Best Picture, The Hurt Locker.

Lionsgate’s home entertainment business is an industry leader in box office-to-DVD and box office-to-VOD revenue conversion rate. Lionsgate handles a prestigious and prolific library of approximately 15,000 motion picture and television titles that is an important source of recurring revenue and serves as the foundation for the growth of the Company’s core businesses. The Lionsgate and Summit brands remain synonymous with original, daring, quality entertainment in markets around the world.

For further information, please contact:

Peter D. Wilkes310-255-3726pwilkes@lionsgate.com

Kinley Cross310-255-5114kcross@lionsgate.com

SOURCE: Lionsgate

http://www.lionsgate.com

http://photos.prnewswire.com/prnh/20110919/LA70620LOGO

PRN Photo Desk, photodesk@prnewswire.com

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The Vampire Diaries: Why We Love Single Stefan

Throughout The Vampire Diaries‘ run, Stefan Salvatore (Paul Wesley has been on his own, in love, «the ripper» and brokenhearted. But looking back, Stefan is always at his best when he’s single. Don’t get us wrong — this isn’t about why Elena (Nina Dobrev should be with Damon (Ian Somerhalder instead of Stefan, but rather why as a character Stefan has always been the most appealing, likable and downright sexy when alone. And if Thursday’s episode wasn’t enough proof (hello, doing push-ups in the woods!, here are four reasons why we prefer him that way:

Photos: Who’s the sexiest Vampire Diaries star?

1. He’s sexy when angryAs Damon softens up, Mystic Falls is seriously lacking some angry brooding. Fortunately, Stefan has stepped up and taken over as the town’s new resident bad boy. And we aren’t complaining! Without Elena to woo, the romantic dreamer has transformed into a badass, kicking butt and taking names (and a few lives here and there. It’s not hard to admit that as Stefan’s temper heats up, so do we.

Photos: Everybody’s posing nude! Check out Rihanna and other stars who’ve bared all

2. He gets things doneElena is often more of a walking, talking distraction than an actual character. Now that she’s out of the picture, Stefan is much more focused and actually seems to be getting things done instead of catering to Elena’s every need. Plus: Without her acting like his surrogate conscience, Stefan seems to have no qualms doing whatever it takes to get the job done. If Stefan keeps this up, it won’t be long before he has that cure! (Even if it is for Elena’s sake. Just look at the way Stefan takes care of business with Klaus (Joseph Morgan in the clip below.

Check out the hottest looks from the 2012 Victoria’s Secret Fashion Show

3. He has time for his friendsCan we all agree that the more Stefan’s not with Elena, the more we can watch his and Caroline’s (Caroline Accola friendship grow? The bubbly blonde has turned out to be a surprisingly good shoulder for Stefan to lean on during his time of need. And while Elena’s shacked up with Damon, we just love Stefan and Caroline playing house together. The new roomies could have a show all on their own!

Fifty Shades of Lame! Check out TV’s unsexiest sex scenes

4. He has more fun How often do we get to see Stefan laugh? Not enough, that’s for sure. For someone who’s going to live forever, Stefan doesn’t seem to enjoy life too much. But now that he’s single, Stefan’s finally free to go out and have a little fun. In the clip below, he has a ball with his new friend Klaus, as the two share drinks over stories. Though given Klaus’ unreliable loyalties, maybe Stefan should consider upgrading his drinking buddy this time around (we’re looking at you, Caroline.

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четверг, 29 ноября 2012 г.

Comic film for 'Twilight' star?

Acclaimed environmental photographer James Balog was once a skeptic about climate control, but no more. As a result of his his multi-year Extreme Ice Survey project, he has documented irrefutable proof of the changes that global warming is wreaking on our planet. In  Jeff Orlowski's new documentary, "Chasing Ice," Balog's revolutionary time-lapse photography records what is happening to the world's glaciers. His hauntingly beautiful images compress years into seconds and capture ancient mountains of ice in motion as they disappear at a breathtaking (and terrifying rate.

 

Traveling with a team of young adventurers across the brutal Arctic, Balog relentlessly pursues one of the biggest stories facing humanity, a story that has polarized many in this country. I sat down with Balog and Orlowski in a Los Angeles hotel room, far from the life-threatening environments where they've spent the past several years working on this powerful film.

 

MSN Movies: It must have been so incredible to spend time in these far-flung and beautiful locations—not to mention insanely dangerous and terrifying!

 

Oh, but that's the fun stuff!

 

I know! Some of that seems like a distant memory now and I'm grieving the fact that we're not still out there in the field!

 

 

Absolutely not! It was not part of the mindset at all.

 

I really had to twist his arm!

 

 

We had enough to worry about just getting out there to do our work. I didn't want to think about another camera crew or any additional fundraising. We were already financially stretched to the limit!

 

It took a while to win him over, but when I realized we had a really compelling story, I brought a team on including the producer who did "The Cove." And I told James that we'd do all the fundraising, he wouldn't have to think about any of that.

 

I thought he was smoking dope at the time…but he's a confident devil and manages to pulls things off that seem pretty impossible!

 

 

Oh, certainly. And there were a lot of days where the weather was so bad we didn't even try to go out there.

 

Yeah, in some of those storms, if you tried to go out and shoot, the cameras would be ruined in about twenty minutes.

 

 

 

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